Luz maria osorio

Women Filmmakers in Mexico: The Country of Which We Dream 9780292798106

Citation preview

00-T1426-FM 11/17/00 10:44 AM Page i

Women Filmmakers in Mexico

THIS PAGE INTENTIONALLY LEFT BLANK

00-T1426-FM 11/17/00 3:29 PM Page iii

Women Filmmakers in Mexico The Country of Which We Dream

Elissa J. Rashkin

u n i v e r s i t y o f t e x a s p r e s s , au s t i n

00-T1426-FM 11/17/00 10:44 AM Page iv

Copyright © 2001 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2001

Requests for permission to reproduce material from this work should be sent to Permissions, University of Texas Press, P.O. Box 7819, Austin, TX 78713-7819.

 The paper used in this book meets the minimum requirements of ansi /niso 

z39.48-1992 (r1997) (Permanence of Paper).

l i b r a ry o f c o n g r e s s c ata l o g i n g - i n - p u b l i c at i o n d ata Rashkin, Elissa. Women filmmakers in Mexico : the country of which we dream / Elissa J. Rashkin. p.

cm.

Includes bibliographical references and index. isbn 0-292-77108-8 (alk

Gender Relations in Television Fiction

Related papers

Gender, sexuality, and violence in contemporary TV series. A comparison between U.S. and Europe

Elisa Giomi

2016

This paper presents the first results of a work in progress on violence, gender identity and media representations. The research takes two assumptions as its starting points: 1) “our understanding of violence and gender are absolutely interlinked” (Boyle 2005), and 2) the media contribute to shape both notions. The representations of violence found in TV series, advertising, movies, etc. draw on and at the same time reinforce precise visions of femininity and masculinity; vice versa, the gender role models diffused by the media contain precise ‘prescriptions’ on how men and women should relate to violence. The object of the paper is the depiction of violent women – both criminals and police officers - in contemporary television series that are produced in different countries and are based on strong female leads. Contributions developed in the framework of Feminist Film Theory and Feminist Culturalist Criticism ha

Copyright ©bandtide.pages.dev 2025