Lezenia miron bialoszewski biography

1Born and raised in the independent Poland of the interwar period, Miron Białoszewski (1922-83) came of age during the Nazi occupation of.
Bialoszewski's attitude towards the objects he describes is ambivalent.
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The Kingdom of Insignificance: Miron Białoszewski and the Quotidian, the Queer, and the Traumatic

Related papers

Fear of unjust memory or desire for secure identity? Remembering the era of 1989 transition in contemporary Polish novel

Olga Szmidt

(2020). Narratives of fear and safety. Tampere: Tampere University Press. Kaukiainen, K., Kurikka, K., Mäkelä, H., Nykänen, E., Nyqvist, S., Raipola, J., Riippa, A. & Samola, H. (Eds) https://trepo.tuni.fi/handle/10024/122967, 2020

The article focuses on Polish contemporary novels that explore memory about the era of the 1989 transition in Poland. Among other texts and pieces of art, contemporary Polish novels written by young authors seem to be the most innovative and original in representing this very moment of history, with its fears and desire for a new identity. The article tackles two main problems related to the interpretation of literary works of Dorota Masłowska, Michał Witkowski, and Dominika Słowik. The first is a spectrum of new Polish identity of the era of the 1989 transition. The second is a literary expression of i

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Miron Białoszewski – biografia, wiersze, twórczość

Miron Białoszewski (1922-1983) był poetą, dramaturgiem i prozaikiem, przez całe życie związanym z Warszawą. Jego dorobek pisarski należy do ważnego nurtu rozwoju literatury nowoczesnej, świadczy o poszukiwaniu nowej koncepcji języka i dzieła literackiego, a wraz z tym odmiennego wobec konwencjonalnego status quo miejsca poety i poezji w świecie. Wbrew pozorom, Białoszewski z aprobatą odnosił się do tradycji i wzruszenia w poezji, starał się przy tym chronić swą sztukę przed narzucanymi, ponadindywidualnymi, normami (kanon literacki, programy, szkoły itp.). Konsekwentnie skupiał się na codziennej, „zwyczajnej” egzystencji, na życiu takim, jakie się mu jawiło i jakie przeżywał. Obserwacja świata i unikalne eksperymenty językowe Mirona Białoszewskiego wyrażają dramat rozdarcia człowieka między radykalnym, destruktywnym i alienującym indywidualizmem, a poczuciem dezintegracji, zaniku tożsamości i autonomicznego „ja”. Fascynowała go literatura staropolska i romantyzm Wieszczów, doskonale znał t

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Brief orientation

Born and raised in the independent Poland of the interwar period, Miron Białoszewski (1922-83) came of age during the Nazi occupation of Warsaw (1939-45), lived through the city’s utter destruction in the Warsaw Uprising of 1944, and experienced both post-war poverty and the restrictions of the Communist system, whose fall he did not live to witness. During the Stalinist years, he was forced out of his job as a journalist, possibly because of his homosexuality. Additionally, it was difficult for him to publish under the Stalinist regime because his aesthetics contradicted the tenets of socialist realism. After the Thaw in 1956, he belatedly debuted with a poetry collection, Obroty rzeczy (The Revolution of Things). Even though he was older, Białoszewski was considered part of the Generation of 1956, an influential group of writers emerging in the post-Thaw environment. Białoszewski spent his whole life in Warsaw but in later years did some traveling, visiting several Mediterranean countries on a boat cruise; he also visited the US to receive the Jurzykowsk