Tom burr artist biography

Tom Burr, No Access, 2015, aluminum frames with a polished tinted steel face, each 78¾ × 99⅖ × 197⁄10 inches. All images courtesy of the artist and Bortolami, New York.

I first encountered Tom Burr’s work as a graduate student at Yale in 2008, where I was developing a spatial practice involving questions of site specificity, architecture, and difference. Excited by our overlapping interests, I decided to contact him with questions, and was taken by his sensitivity, intelligence, and willingness to engage in conversation. We corresponded, on and off, over e-mail for several years and decided to meet—IRL—for this interview.

Since the 1980s, Burr has produced an expansive body of sculptural work, collage, and writing that has illuminated alternative possibilities for considering the relationships between the built environment, subjectivity, and historical persona. His work intervenes in the traditionally tautological and masculinist language of Minimalism and Conceptual art, and reinscribes these art historical categories with new affects, desires, and melancholia. As Burr

Born 1963, New Haven, Connecticut, USA.
Lives and works in New York, NY, USA.

Selected Press

Talk Art, Tom Burr in conversation with Russell Tovey and Robert Diament, 17 February 2023
November, Tom Burr in conversation with Blake Oetting, No. 39, Volume 2, February 2022
Frieze, Tom Burr: Nine Renovations, 24 April 2022
Modern Matter, I ASK MYSELF by TOM BURR, Tom Burr, March 2021
Artforum, Tom Burr, Julian Elias Bronner, 3 February 2017
Arena Homme +, Tom Burr Meets Marcel Breuer/New Heaven, Andrew Durbin, Summer/Autumn 2017

Education

1987

Whitney Independent Study Program, New York, NY, USA

1986

School of Visual Arts, New York, NY, USA

Residencies/ Teaching

2010

Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland, UK

2009

Critic in Sculpture, Yale University, New Haven, CT, USA

Solo Exhibitions

(C) denotes catalogue published in conjunction with the exhibition.

2023

Tom Burr, Bortolami, New York, NY

2022

Compressions, Galerie Neu, Berlin, Germany
detention/suspension/expulsion, Maureen Paley: St

Tom Burr is here in conversation with himself; for a project due to show in Milan in March, before its perpetual postponement, the artist set to questioning himself, producing an interview in which he plays both parts. As memory work, the piece is reflective of Burr’s interest in temporality and subjectivity. The transcript marks a moment that never happened, irrevocably intertwined with Pasolini’s screenplay for a film that was never made.

 

Now rendered in print, the piece has become a work in its own right, both preceding and replacing the show. For Burr, Modern Matter has become a curatorial platform: an unofficial catalogue, exhibition space, and site for art production.

Your own biography is a theme in your work. A couple of years ago in New Haven, the city where you grew up, you took over the ground floor of a vacant Marcel Breuer building. Throughout that project, and much of your work in general, there is a preoccupation with yourself, using aspects of yourself or your biography. Do you think this preoccupation ever runs the risk of sentimentality, or even

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